11. "3:10 to Yuma" (2007)

"Someone ought to have the decency to bring him to justice."

(Christian Bale as Dan Evans)

"3:10 to Yuma" is a western, but it deals with the realities of justice in the west. As a lifelong Arizonan, I can appreciate that :) This movie held some surprises for me, actually, as this film is actually a remake of the film of the same name made in 1953.

The Plot: The film centers around Dan Evans (Christian Bale), who is an Arizona rancher (somewhere near Bisbee) struggling to make ends meet. He owes money to Hollander, the local loanshark who owns Evans's land (we are led to believe Evans is essentially a sharecropper of the ranching variety), and goes into Bisbee to talk to Hollander, but witnesses a stagecoach robbery by the infamous Ben Wade (Russell Crowe) and his crew. Wade is apprehended and escorted to Contention, AZ to catch the 3:10 train to Yuma prison. The railroad, which owns the stagecoach that was robbed, has been robbed several times (at some point it is mentioned that Wade robbed the railroad company 22 times), so they hire Pinkertons to escort him. Evans agrees to accompany them for $200 (quite a sum in the 1860's). Evans has inner demons he must fight throughout the film; he was a Union soldier in the Civil War and lost his leg during battle, for which Uncle Sam paid him $198 and change. Eventually, Evans is the only one left of their small cadre of "escorts" to get Wade onto the train. Wade actually goes willingly, getting on the train even after Evans is shot by members of Wade's crew trying to "rescue" him.

The Criminal Justice System: To say there was a "system" of justice in the wild west is idealistic; there was a system in place of roaming judges and U.S. Marshals to "keep the peace," but typically justice was left to local sheriffs and vigilantes (think any western you've ever seen - they are actually pretty accurate, in general). Vigilantism, or the idea of posses and the general public taking revenge when the system fails to do so, is common. In many territories, local sheriffs had no formal training and probably only one deputy (if he was lucky), so going up against gangs of outlaws was unlikely (because really, most sheriffs weren't John Wayne). U.S. Marshals played an important law enforcement role in the western territories, as they apprehended fugitives and ensured criminals showed up for court (especially federal courts, that could be hundreds of miles away through dangerous wilderness). This role has not changed in 150 years.

The Pinkertons were also an interesting addition to the film. The Pinkerton Detective Agency was founded in 1855 by Allan Pinkerton. Pinkerton claimed to have foiled an attempt to assassinate president-elect Abraham Lincoln, who later hired his firm to be his bodyguards during the Civil War (the U.S. Secret Service was not created until 1865, and even then it was created to combat currency counterfeiting - its presidential protection detail did not begin until the assassination of President McKinley in 1901). The Pinkertons grew to be so big that it was estimated that they employed more guns-for-hire than the U.S. Army; in fact, the state of Ohio outlawed the company for fear it would mount a militia that would overthrow the government.

Pinkertons were a private security firm, and were hired by several big-name business moguls in the late 19th and early 20th centuries, including Andrew Carnegie. Thus, the idea that the Pinkertons would protect the railroad interests is not unlikely. The private nature of the security also means that it is contracted, thus not having a vested interest beyond a certain point, so it also explains why Butterfield (the Pinkerton in the film) would walk away from his assignment (escort Wade to the train) given the right motivation (10 of Wade's crew outside the hotel where they were staying until the train came into town, along with 20-30 townspeople "deputized" by Wade's second-in-command, Charlie Prince). They were ruthless, but had a price.

10. "The Black Dahlia" (2006)

"The basic rule of homicide applied: Nothing stays buried forever. Corpses. Ghosts. Nothing stays buried forever. Nothing."

(Josh Hartnett as Dwight "Bucky" Bleichert)

"The Black Dahlia" is based on the real-life murder of Elizabeth Short in 1947, which to this day remains unsolved. It is one of California's most infamous crimes. The film stars Josh Hartnett as Dwight "Bucky" Bleichert and Aaron Eckhart as Lee Blanchard, both Los Angeles police officers and former heavyweight boxers. The film also stars Scarlett Johansson as Kay Lake, Lee's live-in girlfriend (quite the scandal in the 1940's) and Hilary Swank as Madeleine Linscott.

The Plot: Since the murder was never solved, this is the director and writers' take on who actually murdered Elizabeth Short. The film begins with Bleichert and Blanchard boxing against each other to promote a city bond that would give a raise to the police department (a whole 8 cents!). After the match, they become friends and partners, with Blanchard getting them both assigned to homocide. They are originally tasked to take down some organized crime bosses, but when Ms. Short (named "the Black Dahlia" by the press) is murdered, Blanchard becomes obsessed with solving her murder. Through a series of investigations, Bleichert learns that the Black Dahlia looks strikingly similar to Madeleine Linscott, daughter of wealthy construction mogul Emmett Linscott and lesbian call-girl (also a scandal for the 1940's). The ensuing investigation uncovers not only corruption and conspiracy within the police department but also a cover-up by the wealthy Linscotts, but not to protect the person you'd think.

The Criminal Justice System: The film brilliantly describes the corruption that was rampant in police departments in the mid 1900's (and some would argue still continues today, though not as blatantly). Organized crime was often tolerated for a price, as the police were terribly underpaid (note the significance of an 8 cent raise). Policing in the 1940's was the end of the political era of policing and beginning to start into the professional era; however, larger departments took longer to professionalize their forces. As such, it is clear in the movie that the LAPD still engaged in ruthless and less-than-scrupulous activities during this time. (Some would argue that LAPD still engages in such activities, but that is a discussion for another day.)

The film on its merits (acting, screenwriting, etc.) was not exceptional, but the description of the criminal justice system was excellent.

9. "Goodfellas" (1990)

"As far back as I can remember, I always wanted to be a gangster."
(Ray Liotta as Henry Hill)

"Goodfellas" has been a whole lot of surprises for me! First, I did not realize it was directed by Martin Scorsese (and I now understand the line in "The Holiday" where Cameron Diaz's character says "Happy red, not Scorsese red."). Second, it is based on a true story, which I did not know. And third, it has many lines which I have heard in eclectic settings and didn't realize where they came from (a la "Get your shine box!"). "Goodfellas" won an Oscar in 1991 (Best Actor in a Supporting Role - Joe Pesci) and was nominated for five more (Best Actress in a Supporting Role, Best Director, Best Picture, Best Film Editing, and Best Screenwriting), won five BAFTA Film Awards (Best Direction, Best Costume Design, Best Editing, Best Film, Best Screenplay - Adapted) and was nominated for two more (Best Actor and Best Cinematography), won a Bodil Award (Best Non-European Film), won three Boston Society of Film Critics Award (Best Film, Best Director and Best Supporting Actor), and won five Chicago Film Critics Association Awards (Best Director, Best Picture, Best Actress, Best Supporting Actor, and Best Screenplay).

The Plot: The film stars Ray Liotta as Henry Hill, a half Italian/half Irish boy in Queens who gets a job as a teenager doing errands for the Italian guy across the street, Paul Cicero. Paul also runs the crime syndicate of Queens, so his father isn't so happy, but Henry likes it because he belongs. He gets older and gains more trust and clout within the organization, though he is never "made" because he's not full-blood Italian. The film goes through his life, including his marriage to a non-Italian Jewish woman and her perspective of the "mob life." The traditions and values of the mob - "Never rat on your friends and always keep your mouth shut" (Robert De Niro as Jimmy Conway) - come crashing down around Henry when, in the 1980s, he decides to take up dealing cocaine, but does so under Paul's nose with the help of two gangsters (not part of the Cicero family organization, more like "consultants" with no home office) Jimmy Conway (Robert Di Niro) and Jimmy DiVito (Joe Pesci).

The Criminal Justice System: Sadly, the film is pretty accurate when it comes to the criminal justice system's traditional approach to organized crime. Typically, the system attempts to get an informant (a rat), which usually will not bode well for said informant (they don't tend to last long). Many cops, since they are vastly underpaid and terribly overworked, come under the thumb of the organizations, looking the other way for what seems like free money. At the end of the film, Henry and Karen Hill are offered spots in the witness protection program in exchange for dropping drug conspiracy charges and rolling over on the Cicero crime family as well as Jimmy Conway. This, too, is accurate - the Federal Witness Protection Program offers protection to many people involved in crimes, some of them criminals themselves and some of them simply witnesses who were in the "wrong place at the wrong time." The American criminal justice system has yet to create a comprehensive plan for dealing with organized crime, and the film probably best illustrates why: The organized crime families are providing a service that is needed by people who cannot go to the police because of their own criminal involvement.

"That's what the FBI can never understand - that what Paulie and organization offer is protection for the kinds of guys who can't go to the police. They are like the police department for wiseguys."
(Henry Hill)

All in all, the film is an excellent one, and a great masterpiece of Scorsese that really typifies the organized crime enterprise. Though it has a good amount of swearing, most of the violence is in the old-school fashion (it happens off-screen, but is implied) so it's not too gory.

Oh - and this post is dedicated to my friend, Lisa Dario, who has been wanting me to add this film for months. :)

8. "Just Cause" (1995)

"Every now and then, you have to get a little bloody. It's good for the soul."

(Kate Capshaw as Laurie Armstrong)

The Plot: Bobby Earl was convicted in 1986 of raping and killing Joanie Shriver in south Florida. At the beginning of the film, we see Earl arrested by a white officer, and subsequently beaten by him. Later in the interrogation, he was threatened by black sheriff Tanny Brown (Laurence Fishbourne). Eventually, Earl confesses to the crime and is convicted by an all-white jury and sentenced to death. Eight years later, Earl contacts Paul Armstrong (Sean Connery), who is vehemently anti-death penalty. Eventually Armstrong agrees to help Earl, who claims he was falsely convicted. Armstrong and his family go to Florida (where Armstrong's wife, Laurie [played by Kate Capshaw], has family) and Armstrong begins talking to everyone involved in the case. Very quickly, Armstrong can tell that the town does not want the case re-opened. Armstrong works to prove that Earl didn't commit the crime, and eventually does with the help of Earl's fellow inmate, serial killer Blair Sullivan (Ed Harris), who claims that he raped and killed the little girl. Armstrong goes to court and gets the clemency board to release Earl based on evidence that Sullivan was the real culprit (tape recorded conversation with Sullivan and a letter he wrote from prison to the Shriver family). During the investigation, the viewer learns that Armstrong's wife was the prosecutor in a kidnapping case in 1985 in which Earl was charged and the case went to trial, though it was later dismissed. Earl lost his scholarship to Cornell University because of the trial. After Earl is released from death row, he comes after Laurie Armstrong (and her daughter, Kate Armstrong), kidnapping them and taking them out into the swamp. Armstrong deduces that Bobby Earl did in fact rape and kill Joanie Shriver, but he had convinced Sullivan to take the heat for him so he could take care of "unfinished business." In return, Earl would kill Sullivan's parents (his unfinished business). With the help of Sheriff Brown, Armstrong manages to kill Earl before significant harm comes to his wife or daughter.

The Criminal Justice System: This film demonstrated two points. First, it exposed the racism that is prominent in this country, even in the 1980s. What happened to Bobby Earl in the beginning of the film likely wouldn't occur today because of videotaping and other surveillance measures in place in interrogation rooms across the country, but other tactics (like keeping them in an interrogation for 22 hours without food, water, or sleep) do still occur. Additionally, the racism of police and others in the criminal justice system still exists and can alter the outcome of a case, often leaving the defendant without recourse. A defendant is at the mercy of the courts once he or she has been convicted, hoping that a judge will agree that an all-white jury is contrary to due process, or that a coerced confession cannot be admitted into evidence. Second, the film exposed one of the difficulties people have with the death penalty: That you would execute an innocent man. In the same vein, the film also showed that sometimes, the system comes to the correct conclusion, even if the process was wrong. In this case, Bobby Earl was rightly convicted, but his case was handled very poorly.

In all, this film is very well done and a great look into the intricacies of the death penalty and the racism that still permeates our criminal justice system, even in 2011.

7. "The Town" (2010)

"No matter how much you change, you still have to pay the price for the things you've done. So I've got a long road. But I know I'll see you again - this side or the other."

(Ben Affleck as Doug MacRay)

"The Town" is a film about four friends who are bank and armored car robbers from the Charlestown neighborhood of Boston. The credits claim that Charlestown has bred more bank and armored car robbers than any other place in the world. As you can imagine, it's a tough neighborhood, where crime is the norm and of course controlled by organized crime syndicates. You get a glimpse into the Irish crime syndicate, run by Fergie the florist. The film is the directorial debut of Ben Affleck, who co-wrote and also stars in the film (he is from Boston, and knows the neighborhood of Charlestown well). "The Town" stars Ben Affleck as Doug Macray, Jeremy Renner as Macray's best friend James Coughlin, Rebecca Hall as bank manager Claire Keesey, and Jon Hamm as FBI Special Agent Adam Frawley. It received one Oscar nomination (Best Actor in a Supporting Role - Jeremy Renner), one BAFTA nomination (Best Supporting Actor - Pete Postlethwaite [Fergie]), five Critic's Choice Awards (Best Acting Ensemble, Best Action Movie, Best Picture, Best Screenplay, Best Supporting Actor), an Empire Awards (UK) nomination (Best Thriller), a Golden Globe nomination (Best Performance by an Actor in a Supporting Role in a Motion Picture - Jeremy Renner), and won a National Board of Review Award (Best Ensemble Cast).

The Plot: The film follows four friends from Charlestown. They are career criminals, pulling bank robberies and armored car heists (at one point, Macray tells Claire that he has done six car heists and two bank robberies). The crew pulls a bank robbery at the bank where Claire Keesey is the bank manager. They have her open the vault and then end up taking her with them as insurance because someone (it was Claire, but the crew doesn't know) pulled the silent alarm. They blindfold her and leave her on the beach at Boston Harbor. She talks to the FBI, but cannot really tell them anything; she did see a tattoo on one of them (Coughlin), but she withholds that as a card of leverage (she knows that she would be in serious danger). The crew realizes from Keesey's driver's license (which they took from her) that she lives four blocks from them in Charlestown, which worries them. Coughlin offers to "take care of it," but Macray says he will do it. While he watches her to assess how damaging she might be for them, he begins to fall for her. Claire does not know that Macray is part of the crew who robbed her bank and when she does find out from the FBI agent, she is torn between her feelings for Macray and the betrayal of knowing what he did. Macray's crew pulls several other heists during the film, including an armored car job in which a guard is killed by Coughlin. Macray is an "honest thief" who has never killed or harmed someone in the course of his robberies, so he is angry that Coughlin let his anger get the best of him. Macray wants out of the whole business and to leave with Claire somewhere away from Charlestown and the polluting influence it has had on his life, but Fergie essentially blackmails him into one last job - robbing the cash room at Wrigley Field. They do, but are caught in a police shoot-out in the basement after Coughlin's sister (who loves Macray but is bitter and spiteful that he loves Claire) tells the FBI agent about the job in exchange for him not taking her child away from her after she was found pumped full of alcohol, cocaine and meth. In the end, only Macray escapes from the shoot-out, and he leaves to Florida, leaving money from previous jobs for Claire.

The Criminal Justice System: The FBI agents are portrayed pretty fairly in this film, if not a bit heavy-handed and angry. The task force that Agent Frawley works on is the bank robbery group, so he is well-versed in robberies and schemes of making them work. He is paired with a local from Charlestown, who Macray calls out as a "rat" (it is implied that they know each other and Macray views him as a sell-out). Together, they make it their mission to bring down Macray's crew, especially after the guard is shot and killed. The film does an excellent job showing how the criminal justice system (personified by Frawley) views things in black and white, while the crew personifies the criminal element (and the people who make up the neighborhoods where crime is as regular an occurrence as a child riding a bike to school) and view things as a matter of honor, duty to their neighborhood and family, and loyalty to family and friends. It portrays the FBI as not caring about the circumstances which form a criminal, but rather the fact that a criminal is simply a criminal. Claire Keesey works in a community garden, volunteers at the Boys and Girls' Club, and doesn't care that Macray is a bank robber (one who robbed her own bank, no less) - she sees them as people rather than criminals. This brings to mind the criminological theory of "labeling" - people commit crime because they are labeled as criminal or delinquent. In this context, crime occurs in Charlestown because that's what is assumed when people learn that a person is from Charlestown - "oh, he is just a bank robber or thief." The intro credits state that crime is passed down from father to son, almost like a trade.

This is an excellent film that shows the more human side of criminality, and demonstrates that not all criminals are the same (Macray and Coughlin are often juxtaposed against each other). I first saw this film in Chinatown (DC) after winning tickets on a Facebook contest sponsored by the National Museum of Crime and Punishment.

The theater where we saw the movie

The movie poster at the NMCP

My friend Lisa and I went and were absolutely enamored - and it's always better when it's a preview showing and you see it before everyone else!

Me and Lisa

6. "Serpico" (1973)

"Frank, let's face it, who can trust a cop who won't take money?"

(Jack Kehoe as Tom Keough)

The movie "Serpico" is regarded as one of the most well-known crime films of all time. It is often named as Al Pacino's finest film performance, and was director Sidney Lumet's prized masterpiece. It was nominated for many awards, including two Academy Awards (Best Actor in a Leading Role [Al Pacino] and Best Writing [Waldo Salt and Norman Wexler]), two BAFTA Awards (Best Actor [Al Pacino] and Best Director [Sidney Lumet]), a Directors Guild of America Award (Outstanding Directorial Achievement in Motion Pictures [Sidney Lumet]), an Edgar Allen Poe Edgar Award (Best Motion Picture [Waldo Salt and Norman Wexler]), a Golden Globe Award (Best Motion Picture - Drama), and a Grammy Award (Album of Best Original Score Written for a Motion Picture). The film won three awards: A Golden Globe Award (Best Motion Picture Actor - Drama [Al Pacino]), a National Board of Review Award (Best Actor [Al Pacino]), and a Writers Guild of America Award (Best Drama Adapted from Another Medium [Norman Wexler and Waldo Salt]).

For these reasons and many more, I was really, really, really excited to watch it. Unfortunately, I was grossly disappointed. While it was an interesting story, there seemed to be too many random extra parts that didn't seem to serve a purpose and it was extremely slow. I started it when I first got it from Netflix in March; I did not finish it until today.

The Plot: "Serpico" is based on a true story and follows a police officer in the New York City Police Department in the 1960s and 70s. His family owns a shoe repair shop, but he wants to become a police officer. He wants to do homicide, so he follows the route he was told to take. He soon learns that those who know the politics of life get ahead and those who play by the rules are left behind. Serpico doesn't want any part of the corruption going on in the department. At the time, police officers routinely extorted money from the criminals they catch, such as prostitutes and drug dealers. The other officers do not like that Serpico won't partake and refuse to work with him. His determination to take the information to the higher authorities of local government mark him a snitch, a gross violation of the "blue wall of silence."

The Reality: As much as we hate to admit it, corruption is alive and well in almost every police department in America. Department corruption may not be as blatant now as it was in the 1970s, but it is certainly a problem. "Serpico" does an excellent job of demonstrating not only the problem and its entrenchment in the police departments, but the very real danger officers place themselves in when they refuse to "go with the flow."

On a funny note, I was quite amused when the precinct chief passed around marijuana to the officers in the morning briefing so that they would be able to recognize the "pungent smell" and the "effects of the drug on the user." That would never fly in today's departments!

5. "The Presidio" (1988)

"Now are you sure you want to fight? Because I'm only going to use my thumb. My right thumb. Left one's much too powerful for you."

(Sean Connery as Lt. Colonel Alan Caldwell)

"The Presidio" is one of the few films that addresses the issue of military justice. It is a film in the early career of Mark Harmon, who later stars as Supervisory Special Agent Leroy Jethro Gibbs in the CBS television show "NCIS," which is why I first watched this film a couple of years ago. The film did not win any major awards, but is a gem with a rockstar cast and a great story.

The Plot: "The Presidio" stars Mark Harmon as Detective Jay Austin of the San Francisco Police Department, who is investigating a series of inter-jurisdictional murders on the U.S. Army base, the Presidio, and the streets of San Francisco. He must work with Lt.-Colonel Caldwell (Sean Connery), who was Austin's boss (the provost marshal) when Austin was in the military police years ago. Caldwell took the side of a drunk driver, an officer named Lawrence, and demoted Austin, who left the military soon after. Caldwell's daughter, Donna (Meg Ryan), decides to start dating Austin at about the same time as the two men need to work together, which adds another thorn to the patch.

The History: The Presidio (also known as El Presidio Real de San Francisco) is a park on the northern tip of the San Francisco Peninsula in California. It was a fortified location starting in 1776, when the Spanish used it as the military center of the area. It was passed to Mexico and finally to the United States in 1847. Congress voted in 1989 to end the Presidio's active military status and it was passed to the National Park Service in 1994.

From 1847 to 1989, the Presidio served as the primary military installation on the Pacific. It was the assembly point for Army forces invading the Philippines during the Spanish-American War and was the center of the defense of the western U.S. during World War II. The Letterman Army Medical Center was built on the Presidio in the 1890s and was featured in every major U.S. conflict in the 20th century by providing high-quality medical care. Two interesting facts: The Presidio contains one of the two remaining cemeteries in San Francisco city limits - the San Francisco National Cemetery - and the soldiers at the Presidio became the nation's first "park rangers" by patrolling the new Yosemite and Sequoia National Parks between 1890 and 1914.

The Criminal Justice System: The issue of jurisdictions is a complex one, as cooperation between cities, states and the federal government is notoriously bad. Adding in special jurisdictions like Native American reservations and the military only compound the problems. It is often difficult for the military and civilian investigative branches to cooperate, especially since they have differing codes of justice (the military uses the Uniform Code of Military Justice instead of the local, state or federal penal code). This film does an excellent job of emphasizing the difficulties that jurisdictions deal with, especially when working with the military (e.g. the fact that Austin cannot arrest Major Lawrence until he is off of The Presidio and on civilian jurisdiction).